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Het Nieuwe Instituut has joined forces with Tilting Axis to offer a Fellowship to one mid-career or established applicant based in the Caribbean. The Fellowship is supported by Het Nieuwe Instituut as lead partner and host, and will include collaborations with the Amsterdam Museum, De Appel, The Black Archives and Witte de With.

For Whom?

Mid-career and established researchers, artists, designers, writers, curators, or cultural producers based in the Caribbean region interested in building new links with cultural institutions in the Netherlands, and who have an interest in developing their practice around themes related to architecture, spatial practice, design or digital culture. 

Goals

  • Develop, stimulate and visualise curatorial, design and artistic realities coming from the Caribbean region.
  • Enhance knowledge exchange and collaboration with a cross-section of Dutch cultural institutions.
  • Provide a variety of platforms for professional experience.
  • Produce critical knowledge on inter-disciplinary exchanges as well as visual culture.
  • Offer practical support and travel to the Netherlands for an extended Fellowship.
  • Engage with hosting and collaborating institutions to interrogate and challenge their institutional structures and methodologies.
  • Utilise the existing Tilting Axis network

About the Position

This Fellowship focuses on applicants living and working within the Caribbean region and is both research and practice-led. The selected applicant will be based in Rotterdam at the Het Nieuwe Instituut and will have access to other partner cultural institutions in Rotterdam and Amsterdam. A total stipend of 12,000 Euros will be granted by Het Nieuwe Instituut to cover living expenses and one round-trip airfare from any country within the Caribbean to the Netherlands. Accommodation will be provided for a period of six months for a maximum of 800 Euros per month. Stipends may be subject to a withholding tax. Specific details about the position will be discussed with the selected applicant. 

Knowledge Exchange

The Fellowship will be developed through independent research; individual support and interaction with the Research Department team at Het Nieuwe Instituut; monthly meetings to discuss thematic and methodological aspects of the project; and diverse collaborations with partner institutions.

This Fellowship includes access to and collaborations with:

Het Nieuwe Instituut: The fellow has daily access to the facilities of Het Nieuwe Instituut, including the library, archives, exhibitions, workspaces and presentation spaces. Other resources may be available in concert with other departments of Het Nieuwe Instituut as well as its ongoing institutional partnerships.

The Amsterdam Museum: The fellow has access to the facilities at the locations of the Amsterdam Museum, including the library, archives, exhibitions, workspaces and presentation spaces. The team is willing to have in-depth conversations with the fellow and encourage proposals by the fellow for a (public) event such as a talk, screening or a different form of presenting their work and research.

De Appel: The fellow will have daily access to the facilities of De Appel, including the library, archive, exhibition, workspaces and presentation spaces. The archive is specialised in performance arts and contains books, magazines, drawings, letters and ephemera. The team and Curatorial Programme participants are also ready to welcome the fellow and provide contacts, feedback and are happy for the fellow to learn from new voices coming from De Appel.

The Black Archives: The fellow may choose to present the progress of their research during a public talk at The Black Archives in Amsterdam. While hosting a public talk, the fellow will be able to engage with our audience about Black and Caribbean histories.

Witte de With: The fellow may choose to participate in a dedicated public programme at Witte de With to present existing or ongoing research on contemporary visual arts or cultural developments in the present. Alternatively, the programme could be organised as a private session, in the form of a think tank, professional networking event, or similar, with the goal of discussing the fellow’s research topic or share information collected to date. Whatever format is chosen, this programme would be organised within the frame of the institution’s collective learning initiative. 

Application

Applicants for the Fellowship are invited to develop an independent proposal outlining a clear interest in the areas of research/practice and organisations highlighted. The proposal should be content driven and can be based on already existing research or offer new projects. The fellow is not expected to produce an outcome or finished artwork, yet will be encouraged to publicly present the ongoing research interests whilst in the Netherlands. The research will also be disseminated on an ongoing basis via Het Nieuwe Instituut and partner institution’s website, newsletter or other publications. 

The fellow will be invited to:

  • Make a series of presentations in Rotterdam & Amsterdam at host and partner institutions on their research/practice;
  • Produce a monthly text/sound/video/photo essay (6 essays in total). The series of monthly texts will be posted on the websites of Tilting Axis and Het Nieuwe Instituut, with links to the partner institutions;
  • Research could lead to an installation, exhibition or further events at partner institutions during or after the Fellowship;
  • make a presentation at the Tilting Axis meeting in 2020. The aim is to support the fellow’s travel to Tilting Axis 6, hosted by the National Art Gallery of The Bahamas in Nassau.

A final report on the Fellowship experience is required.

Format and Submission Requirements

The Open Call will be available from 16 September, 2019, with a deadline for submission on 17 November, 2019. The call is open to individuals. Applications should be submitted in a single PDF file of maximum 10MB. In order to be considered, proposals should include the following information:

● A self-introduction in which applicants articulate the relation between their interests and the hosting/partner institutions. Departing from a curatorial, research or design and artistic ambition, we expect to see a statement of intent of maximum 1000 words. This statement should explain the applicant’s research focus, and its possible connection to architecture, design or digital culture, as well and the interest in the anchor and partner institutions.

● Relevant documentation of previous work, and/or links to audio or video files (maximum 10 minutes) in the application PDF. 

● Indication of availability to take up the Fellowship from April - September 2020

Proposals should be written in English and applicants must have a working knowledge of English. While we understand that English proficiency may vary or that English may not be the applicant’s first or primary language, unfortunately, we are not able to offer translation support at this time. Applicants with specific questions are encouraged to contact ta-fellowship@hetnieuweinstituut.nl about the availability of any support service.

Proposals can be submitted to: ta-fellowship@hetnieuweinstituut.nl and copied to tiltingaxis@gmail.com with the subject 'Tilting Axis Fellowship 2020 | The Netherlands'

Selection Process

Proposals will be considered by an international committee consisting of the Tilting Axis and Het Nieuwe Instituut teams along with representatives from the partner institutions including curators, academics, and museum professionals. The review committee includes:

Shortlisted candidates will be invited to a phone interview with members of the selection committee.

About the Organisers

Tilting Axis

Tilting Axis is a roving meeting, pivoting on a Caribbean axis from which all other coordinates are viewed, understood and measured, facilitating alliances and increasing visibility of Caribbean contemporary art practice. It was co-founded in 2014 by Annalee Davis of The Fresh Milk Art Platform and Holly Bynoe of ARC Magazine/INC.

From its inception, Tilting Axis has grounded its concerns in the Caribbean as a part of a wider creative ecology, and the health, evolution and advancement, a primary objective of its annual meetings held inside and outside of the region. As a part of its expanded team. The core team also includes Dr Mario Caro, independent curator, board member at Res Artis, and Lecturer at the Massachusetts Institute of Technology; Tobias Ostrander, independent curator; Natalie Urquhart, Director of The National Gallery of the Cayman Islands; and Lise Ragbir, Director of Galleries of Black Studies, University of Texas, Austin, USA.

Tilting Axis is the organisational platform that manages the annual meetings and coordinates the Fellowships in partnership with host institutions.

About the Partners

The Fellowship is organised by Tilting Axis in collaboration with a group of six Dutch partners led by Het Nieuwe Instituut, who will co-host the fellow in Rotterdam and Amsterdam. 

The Amsterdam Museum

The Amsterdam Museum tells the story of the city of Amsterdam; about its past, present and the future. The museum considers it its social mission to make the story of Amsterdam accessible and to present it to as broad an audience as possible. We develop exhibitions, events, publications and other public products, in our museums as well as online. Innovation, hospitality, diversity, (international) cooperation and knowledge exchange are some of our most important values. The museum receives more than 500.0000 visitors each year on its four permanent locations in the heart of the historic city.

De Appel

De Appel is an Amsterdam based contemporary art institute that brings together people, objects and ideas to explore the unknown. With an experimental, open-minded and inclusive focus, the programs of De Appel serve the intellectually and emotionally curious, (non-) specialised art enthusiasts as well as seasoned art professionals.

De Appel organises exhibitions, performances, film screenings, lectures and gatherings that cross boundaries between the arts and other disciplines. These programs facilitate artistic and socially relevant dialogues with various cultural and societal organisations, both in Amsterdam and beyond.

In addition, De Appel is home to a world-renowned curatorial programme and houses an extensive archive and library. De Appel is continuously developing its programs and goals in order to remain critical towards its changing societal and cultural contexts.

The Black Archives

The Black Archives is a unique historical archive for inspiring conversations, activities and literature from Black and other perspectives that are often overlooked elsewhere.

Het Nieuwe Instituut

Het Nieuwe Instituut is the Dutch Institute for Architecture, Design and Digital Culture. The institute combines a research-driven museum, the State Archive for Architecture, the Agency for international programmes and for 2019 an un-official Academy under the title Neuhaus.

In an era characterised by radical technological, economic, cultural and social shifts, Het Nieuwe Instituut aims to illuminate and map the quickly changing world and foster discussion of it, in a networked fashion, with architects, designers, artists, knowledge institutes, cultural organisations and other agents. The institute organises exhibitions, lectures, and fellowships, carries out and publishes research projects, and develops international programmes at the Venice Architecture Biennale, the Salone del Mobile in Milan, the Istanbul Design Biennale, and the Bi-City Biennale of Urbanism and Architecture in Shenzhen, among other forums. All Het Nieuwe Instituut’s activities are grounded in the principles of design and innovation – two concepts bound up with changing value systems and conflict. 

Witte de With

Founded in 1990, Witte de With Center for Contemporary Art was conceived as an art house with a mission to present and discuss the work created today by visual artists and cultural makers, from here and afar. It organizes exhibitions, commissions art, publishes, and develops educational and collaborative initiatives. This non-profit institution has especially worked with artists, and engaged audiences, who are interested in posing challenging inquiries and articulations of our present. While its program considers the contemporary, it also regards how art has been created and experienced in the past, and it imagines the futures art can come to shape.